In Munch’s infamous ‘The Scream’ painting, the screaming man is located in the foreground of the image, immediately capturing the viewer’s eyes. This is usually the first thing to catch your eye. Opposite to ‘background’, the foreground of the image is what we see at the very front of the scene. She is a beacon of innocence and purity, later transformed to represent merciless violence. In Steven Spielberg’s film, ‘Schindler’s List’, colour is used to create tragic contrast between the little girl in the dress and the monochromatic world around her. Similar to colour, contrast is used to draw the viewer’s eyeline to an object or idea, and mark it as starkly different (or anomalous) to its surroundings. These colour themes create subconscious familiarity in the viewers minds, so we expect Robin’s presence when the screen is slightly purple. In the sitcom ‘How I Met Your Mother’, the character Robin is surrounded by purple hues, whilst the ‘Mother’ is in the opposite hue of yellow. The use of colour is a powerful technique that composers can use for a variety of purposes to create contrast and juxtaposition, to draw the audience’s attention to a motif, to align a character with a theme or mood. The eye is immediately drawn to the swirling, celestial sky, leaving the foreground of the village appearing mundane and insignificant in comparison. In Van Gogh’s famous painting, ‘The Starry Night’, the background is, uniquely, the ‘star’ of the image. The background is usually the last thing the eye is drawn to, so may be a more subtle visual/film technique to analyse. This technique analyses the background of a picture or frame, locating behind the primary objects of the image.
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